Hege Storhaug, HRS
Detaljene om hvordan Banaz ble drept av to menn av kurdisk opprinnelse, på ordre av faren, kan leses her. Mer brutalt og jævlig kan det vel knapt bli. De to drapsmennene flyktet tilbake til Irak, og trodde nok at de dermed ville slippe unna straffeforfølgelse. Men britisk politi, som innledningsvis gjorde mang en tabbe, ga ikke opp jakten på de to mistenkte. Det hele endte med en historisk utlevering fra Irak til Storbritannia. Som faren og onkelen til Banaz ble også de dømt til minimumsstraffer på rundt 20 år.
Norskpakistanske Deeyah, tidligere Deepika, også kalt den muslimske verdens Madonna, har i en årrekke engasjert seg i kampen mot æresrelatert vold, som vi tidligere har skrevet om. Hun opplevde selv æresrelatert trakassering og grove trusler i Norge grunnet musikkarrieren sin, og forlot derfor landet vårt i ung alder. Engasjementet har nå resultert i dokumentarfilem Banaz – a love story. I slutten av september kan publikum høre stemmen til Banaz, et mobilopptak hun selv tok innlagt på sykehus etter at faren prøvde å drepe henne, i den 70 minutter lange filmen som har premiere på Raindance Film Festival i London, Europas største uavhengige filmfestival, melder VG (ikke på nettet).
Dette er regissør Deeyahs presentasjon av filmen:
Banaz Mahmod was brutally murdered by her own family, in an honour killing.This film tells Banaz’s story, in her own words, for the first time – and tells the story of the extraordinary police team who refused to give up, and finally brought her killers to justice.
This is a documentary film chronicling in close-up an act of overwhelming horror – the brutal honour killing of Banaz Mahmod, a young British woman in suburban London in 2006, killed and “disappeared” by her own family, with the agreement and help of a large section of the Kurdish community, because she tried to choose a life for herself.
It was a case which shocked the entire world and received enormous international press coverage; but until now, the voice of Banaz herself has never been heard.
As the result of four painstaking years gaining the trust and co-operation of the extraordinary police officers who solved the case, the film contains heart-breaking footage of Banaz herself, detailing the horrors she was facing and accurately predicting her own brutal murder. The footage, which has never before been seen and has been obtained by the filmmakers for the first time, displays the warmth, beauty and courage of Banaz.
Despite the horror, what emerges is a story of love…
Of Banaz, an ordinary young British teenager, whose relationship with Rahmat put her life in danger. It was her video messages from beyond the grave which convicted her father and uncle of the murder she feared would happen.
Of Bekhal, a young woman of incredible spirit and bravery, whose love for her murdered sister gave her the strength to testify against her own family and community – bringing justice to Banaz but consigning her to a life forever lived in hiding.
Of Detective Chief Inspector Caroline Goode, the senior Scotland Yard detective, who says she came to love Banaz beyond the grave. It was Caroline’s dedication and passion which drove her on, finding her body against all the odds, laying her to rest, and relentlessly pursuing her killers, even to Iraq.
And Deeyah, international music producer and activist turned filmmaker, who has herself been subject to honour related abuse and threat. It was Deeyah’s love for the story, for Banaz, for Bekhal and for Caroline, and for raising awareness for the issue of honour killing, which has driven her to spend four years making this harrowing and deeply emotional film, running out of funding long ago, but forming an intimate bond with all the key players, which plays out on screen in scenes of astonishingly confessional testimony.
Banaz is a symbol of horror and hope in the fight to overcome oppression and outdated, abominable cultural practices, practices which claim the lives of thousands of other women like Banaz every year.
But above all, the film is an act of remembrance, an act of recovery of Banaz, one human being. After her family tried so brutally to erase her from the face of the earth, for the first time, Banaz’s voice is finally being heard.
In the making of this film, Deeyah has worked with a wide range of experts, activists and NGOs specialising in the field of honour-based violence, some of whom have been interviewed for the film. This collaborative process has led to a shared recognition of the urgent need for online educational resources and campaigning networks dedicated to this vital issue.
As a result, the making of Banaz: A Love Story, has led to Deeyah and her partners founding two initiatives:
HBVA (Honour Based Violence Awareness Network), an international digital resource centre working to advance awareness through research, documentation, information and training for professionals who may encounter women, girls and men at risk, building partnerships with experts, activists, and NGOs from around the world.
Memini, an online memorial to victims of honour killing. Memini exists to acknowledge the lives and deaths of thousands who are killed in the ongoing massacre of “honour” killing. We seek to create a community of remembrance to end the silence, honour the dead and keep their memories alive, collecting and preserving the stories of women like Banaz, as well as celebrating their strength and courage.